
High Contrast Close-Up of Bearded Monk’s Half Face
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This digital artwork features a surreal, high-resolution extreme close-up of the half face of a bearded monk. The image uses toxic high contrast colors—primarily crimson red, deep black, and stark white—to create swirling, marble-like psychedelic patterns that flow fluidly over the skin like liquid ink. The focus is on the monk's detailed green eye that appears hyper-realistic and glassy, reflecting chaotic prismatic distortions. The contours of the cheekbone sharply dissolve into abstract, blinding hues, creating a visual vortex blending human form with electric surrealism. The patterns and colors merge with skin texture, evoking an impression of movement and unraveling reality in waves of synthetic energy.
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請注意,提供的圖片是由用戶上傳的模型通過人工智能生成的。Diffus 提供基於雲端的平台來促進生成過程;但是,我們不對該模型擁有所有權,也不持有其許可權。用戶有責任確保其對該圖片和相關模型的使用符合適用的許可協議。
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(**toxic high contrast colors, extreme close-up, half face, eye focus, in the style of cksc,**) This high-resolution digital artwork presents an intense, surreal abstraction with only half of a bearded monk’s face dominating the frame. The extreme close-up captures piercing eye detail, where crimson red, deep black, and stark white clash in toxic high contrast, creating a hypnotic, almost blinding effect. Swirling, marble-like patterns in black, white, and blood-red streak across his skin, warping fluidly like liquid ink. His eye, hyper-detailed and glassy, reflects chaotic, prismatic distortions, while the sharp contours of his cheekbone dissolve into the void of color. The background is nonexistent, consumed by an abyss of blinding hues, forcing complete focus on the face’s fractured, high-voltage intensity. The blending of his skin into the psychedelic patterns creates an illusion of movement, as if reality itself is unraveling in waves of synthetic, hyperreal energy. The interplay of razor-sharp details and melting abstraction pulls the viewer into a warped visual vortex, where human form and electric surrealism merge into a striking, high-intensity optical overload.
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